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论文编号: | 1046 | |
作者编号: | 2120072033 | |
上传时间: | 2009/5/27 22:29:32 | |
中文题目: | 基于影视资源的旅游产品设计与实 | |
英文题目: | The research on tourism produc | |
指导老师: | 徐虹 | |
中文关键字: | 影视旅游产品;影视资源;九宫格 | |
英文关键字: | movie (TV)-induced tourism pro | |
中文摘要: | 旅游在二十一世纪得到迅速发展,一种专项性质或主题化趋势的旅游方式也悄然盛行,影视旅游就是其中一种。观众在关注剧情的同时也会对拍摄地、背景地和背后隐含的文化因素产生好奇心理,希望能够设身处地体会影视作品中演绎的生活,感受彼时彼地的风光和风情。然而我国的影视旅游却出现了诸多问题,概括起来主要有以下原因:对影视旅游的概念与内涵认识不清;影视旅游吸引物的两种属性不明,进而没有对影视吸引物进行分类,造成产品设计上的散小;设计实施主体落实不到位、忽略对产品质量的控制。因此在国内外文献综述之后,首先探讨了影视旅游的概念,与单一的影视城游览区别开来;接着从理论上分析了旅游吸引物的两种属性即物理性与符号性,根据这两种属性对影视旅游资源作了分类;然后在第三章对我国影视旅游产品现状、存在的问题原因作出分析,并从长尾理论中得到产品设计的启示,并结合吸引物的两种分类,引出本文的核心部分,影视旅游产品九宫格体系,对每一格所包含的产品作出详细阐述。第四章讨论了设计实施主体的落实。最后以一个成功案例《大长今》与一个运用九宫格的引例《断背山》,以使读者对九宫格设计思路有更科学与直观的认识,并给出了本文的研究结论与展望。总之本文解决的是如何使影视资源发挥最大利用效益,影视旅游产品体系如何构建的问题,期望能给致力于我国影视旅游发展的相关方提供一些思路。 本文的主要观点有:影视基地并非影视城;影视旅游之所以经济效益整体不佳,主要是由于经营者把眼光始终只放在固定形式的影视拍摄场景上,而未从影视旅游的根本概念全方位开发;作为一种旅游吸引物,开发影视旅游产品对旅游目的地和非旅游目的地都有较大促进作用;旅游吸引物的两种属性中,尤其要注重符号属性,才能拓展影视旅游产品范围,契合游客需要;通过《大长今》案例证明,九宫格是拓宽经营者开发更多产品思路的较好方法;政府、影视企业和旅游经营者是影视产品开发的主体。 | |
英文摘要: | The movie (TV)-induced tourism has gain rapid growth in 21 century which causes wide attention in the academic community. The movie industry is developing fast while the movie (TV)-induced tourism progresses not as much as movie industry does. This paper first defines the connotation of the movie (TV)-induced tourism in order to rectify the misunderstanding of it. Then the movie (TV)-induced tourism sources are classified and the 9-check charter is created with the sponsors of all the tourism products derived from those sources being discussed in the following part. This analysis is aiming at providing some thoughts to those business-runners who are going to find opportunities in the film and TV industry. This paper is divided into five parts. The first part gives detailed introduction of the background of this paper; defines the movie (TV)-induced tourism and introduces the current research results on this topic. The second part lays out the basic theory of this topic, classifies the resources, analyses how the film industry promoting the tourism industry and some characteristics of movie-induced tourism product development. The third part probes into the current problems of development and the reasons behind those problems. The forth part, as the core part of the whole paper, elaborates the 9-check charter. The fifth part introduces the three subjects of development and sums up the entire study and put forward the insufficiency found in the research. | |
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